This evening, Zendaya attended the Rome premiere of The Drama<\/em> in a black Armani Priv\u00e9 gown, featuring an embellished and very low scoop neck and structural waist. The silhouette was familiar\u2014yet, that was the point. Keen red carpet commentators might have noticed that it\u2019s identical to an Armani Priv\u00e9 dress that Cate Blanchett wore at the Venice Film Festival last year. Well, that would be because it is literally hers.<\/p>\n Cate Blanchett at the 2025 Venice Film Festival.<\/p>\n <\/span>Stefania D’Alessandro<\/span><\/div>\n<\/figure>\n Fitting for the bridal theme of Zendaya\u2019s latest movie, the clever trick serves as the actress\u2019s \u201csomething borrowed.\u201d (At the Los Angeles premiere, Zendaya recently rewore her white Vivienne Westwood dress from the 2015 Oscars as her \u201csomething old,\u201d raising suspicions of the strategic dressing.) Image architect Law Roach took to Instagram to confirm the theory, posting on his story, \u201cThank you Cate Blanchett.\u201d<\/p>\n Now, no one does outfit repeating better than Blanchett\u2014prior to the Venice Film Festival she had already worn that particular Armani Priv\u00e9 look to the 2022 SAG Awards. Rewearing is a common occurrence for the seasoned red-carpet attendee. This awards season, Vogue<\/em> has even dubbed one of its inaugural awards<\/a> \u201cThe Cate Blanchett Sustainability Award for Best Vintage or Archival Fashion.\u201d However, there was once a time where outfit repeating as an industry peer was a little more taboo.<\/p>\n Who wore it better? Reese Witherspoon at the 2006 Golden Globes.<\/p>\n <\/span>SUSAN GOLDMAN\/Getty Images<\/span><\/div>\n<\/figure>\n<\/picture><\/span><\/div>\n
<\/picture><\/span><\/div>\n
<\/picture><\/span><\/div>\n