cover star<\/a> and the day\u2019s host, set the tone immediately. Moving through the space alongside her co-hosts Emma Chamberlain and Paloma Elsesser, Doja delivered a look lifted directly from the orbit of 1980s Yves Saint Laurent\u2014or, as she put it, pausing to pose, \u201cIt\u2019s giving YSL, even though it\u2019s not fully YSL vintage.\u201d It was all sculpted shoulders, black leather, electric blue gloves, a matching clutch, and a white straw fez perched just so.<\/p>\nAnd Doja wasn\u2019t just hosting\u2014she was shopping, too. Arms full, she balanced a growing assortment of brooches (two newly acquired), a pair of red Gucci mules, and enough other finds that a friend eventually stepped in to help carry the load.<\/p>\n
<\/p>\n
Indeed, the Vintage Market\u2019s goods\u2014curated by Chamberlain, Elsesser, Liana Satenstein, and Amy Astley, with a sharp menswear edit from GQ<\/em>\u2014had something for everyone, and minutes into the sale, the three-floor space was humming. Racks of archival fashion sourced from eBay (and beyond) didn\u2019t stay full for long. Pieces from Anna Wintour\u2019s wardrobe\u2014recognizable by their super-specific silhouette\u2014drew a steady crowd, while Vogue<\/em> editors gravitated, almost uniformly, toward impeccably cut Charvet men\u2019s shirts, the kind of under-the-radar staple that signals true fashion fluency. Nearby, Alexis Novak of Tab Vintage slipped into a 1953 Madame Gr\u00e8s gown\u2014an almost surreal moment of fashion history meeting present-day obsession, and a reminder that even the most seasoned vintage dealers were ready to shop.<\/p>\n<\/p>\nAlso keeping a close eye on the action was Kate Barton, whose handbags were prominently displayed on the main floor. Watching shoppers circle, consider, and commit, she didn\u2019t have to wait long before seeing one find a new home.<\/p>\n
<\/p>\nChamberlain, who had also contributed pieces to the sale, wore a look based less on label and more on aesthetic. \u201cI\u2019m choosing things strictly for vibe\u2014I don\u2019t care about anything else,\u201d she said of her cropped, double-breasted tweed Sandro jacket (cut just short enough to reveal elongated leather gloves), paired with easy Double RL denim and a charming no-label handbag with a mirror built directly into the lining.<\/p>\n
Elsesser, meanwhile, was dressed in a Tom Ford\u2013era Gucci knit with a built-in fur vest, a sculptural skirt by Junya Watanabe, and Chanel boots (\u201cby Karl,\u201d she clarified). \u201cI\u2019m a kooky hat person\u2014if you don\u2019t buy it, I will,\u201d she warned a fellow shopper eyeing a glossy black Miu Miu cap adorned with three-dimensional florals evoking an Esther Williams scene. What Elsesser ultimately walked away with, though, was a pair of black Prada briefs and a gray tank from Martin Margiela\u2019s late-1990s \u201cflat\u201d collection. \u201cI collect this Margiela flat collection,\u201d she said.<\/p>\n
Beyond the racks, Astley\u2019s corner extended the hunt into the home. There, Elsa Peretti bowls for Tiffany & Co. sat alongside Murano glassware in gleaming candy colors. At one point, Elsesser paused mid-shop, delighted by a silver-scaled fish that revealed itself to be a bottle opener. \u201cI\u2019m obsessed,\u201d she said.<\/p>\n
From the GQ<\/em> edit, one standout\u2014a patent black jacket from Raf Simons\u2019s tenure at CALVIN KLEIN 205W39NYC\u2014was snapped up almost instantly. But as racks began to thin, fresh pieces quietly appeared in their place, keeping the pace intact.<\/p>\nBy early afternoon, it was clear: at the Vogue Vintage Market, the past doesn\u2019t linger\u2014it circulates. And with 100% of net proceeds benefiting the CFDA\/Vogue Fashion Fund and the Center for Youth Mental Health at NewYork-Presbyterian, each piece carried not just history, but purpose.<\/p>\n
With thanks to eBay, the official vintage and pre-loved partner of Vogue.<\/em><\/p>\n<\/div>\n
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