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When the goings get tough in fashion (meaning, the economy is bad), it can be easy for designers to prioritize commerciality over creativity\u2014but for fall, Naeem Khan took a risk on himself. \u201cI wanted to make something very artistic,\u201d says Khan.<\/p>\n
Ahead of working on the new collection, Khan watched a documentary about Bob Mackie, and he found himself in awe of the legendary designer\u2019s staying power. \u201cI loved how over-the-top and glamorous [his pieces were,]\u201d Khan said, adding that it influenced him to lean into such fabulousness himself. Glitzy gowns are what Khan is known for, so such extravagance didn\u2019t feel entirely off-base.<\/p>\n
Zeroing in on his signature beading and embellishments, Khan ventured into full-on peacocking territory for fall. His opening gown featured puffs of white, brown, and black feathers. Another standout was his mini dress inspired by Andy Warhol\u2019s poppies: Khan beaded flowers onto a simple frock, and then overlapped them with bits of white, gold, and champagne fringes.<\/p>\n
Of course, with Bob Mackie as a reference, there had to be a naked dress or two as well. Khan designed a transparent mesh gown with crystal punctuations on the bodice, and a gauzy, nude-colored skirt on the bottom. The designer practiced little restraint this season, but that was the point: Even his sleek black blazer was covered in ornate, chandelier-style embroidery. \u201cIt\u2019s unisex\u2014I want it to be shared,\u201d said Khan of the statement jacket.<\/p>\n The closing look was a long black gown and matching evening coat, both covered in rooster feathers with an oil slick-quality to them. It was all very Maleficent\u2014fitting for a Disney villain, if you will. \u201cThis [season] was for me to play,\u201d Khan said.<\/p>\n<\/div>\n<\/div>\n