Since attending her first Cannes Film Festival<\/a> back in 2012, actor and director Kristen Stewart has become one of the event\u2019s main red carpet fixtures. There is a heightened sense of glamour and extravagance that comes with attending the event, and over the years, she and stylist Tara Swennen have leaned into the challenge by delivering many, many<\/em> memorable looks\u2014from silvery Chanel couture (the year she famously removed her Louboutins<\/a>!), to pink tweed skirt suits<\/a>. \u201cI love Cannes because it\u2019s a world stage\u2014it draws more attention than a lot of other festivals or red carpets,\u201d Swennen tells Vogue<\/em>. \u201cBesides the Oscars<\/a>\u2014where I do think there\u2019s a little bit of restraint\u2014Cannes really nurtures a mixture of glamour, art, and beauty. People really take the opportunity to go big.\u201d<\/p>\n This year, then, Stewart and Swennen were ready to deliver yet another winning Cannes wardrobe, one to match Stewart\u2019s buzzy new project. In town to promote the Quentin Dupieux film Full Phil<\/em>, in which she stars alongside Woody Harrelson and Emma Mackey, Stewart brought two striking, high-spirited outfits to the Cannes carpet this weekend.<\/p>\n And as an enduring face for Chanel, it\u2019s no surprise that they were both courtesy of the French label. \u201cThere is a beautiful relationship between Kristen, Chanel, and Matthieu Blazy, because she activates his pieces in a different way,\u201d says Swennen. \u201cHe\u2019s really loosened Chanel up. When you look at his clothes, the tweeds are a little lighter, the tailoring is slouchier, and the silhouettes feel a little less rigid and lived-in. That is very much the arena that Kristen likes to live in.\u201d<\/p>\n Kristen Stewart wearing Chanel, her way.<\/p>\n <\/span>Photo: Getty Images<\/span><\/div>\n<\/figure>\n For the film\u2019s photo call this weekend, Stewart first venture onto the Cannes Croisette saw her sporting a sheer gray \u201ctweed\u201d top and skirt from Chanel\u2019s spring 2026 couture<\/a> collection. \u201cIt was a lightweight take on a classic tweed. It had these frayed edges and jeweled buttons\u2014we loved the delicacy of it, and the tension of the sheerness,\u201d says Swennen. Though the look appeared totally-transparent, turns out, it was all an optical illusion. \u201cIt actually had these little boy shorts underneath, and a tiny, delicate camisole, so it looked more revealing than it was,\u201d says Swennen.<\/p>\n Later in the evening, Stewart slipped into a more evening-ready option\u2014a red and black knit Chanel gown from Blazy\u2019s fall 2026 collection<\/a>. \u201cI loved the color. We just threw it on, it fit perfectly,\u201d says Swennen. \u201cIt had these delicate crochet leaves. It felt very Chanel\u2014but very modern and cool.\u201d<\/p>\n<\/div>\n![\"Image](\"https:\/\/assets.vogue.com\/photos\/6a09dd4a10611dc93afc7c9e\/master\/w_1600%2Cc_limit\/GettyImages-2276706409.jpg\"\/)
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