Tiziana Cardini\u2019s review<\/a> of your debut. She wrote that, \u201cwith Marni back in a woman\u2019s hands, it karmically feels like the universe is tidying itself up.\u201d Meryll, what are the pluses and minuses of being a woman designer as you see them?<\/strong><\/p>\nMeryll:<\/strong> Starting with not an easy question [laughs]. I think what\u2019s important in our case is that the founder of the brand was a woman, and, from what I understood, the brand really originated from a sense of wanting to design for herself.<\/p>\nStefano:<\/strong> For us, talent has no gender. A talent is a talent, and we were looking for the best talent to take Marni to its next creative chapter, and we believe that Meryll has all it takes to do it. The fact that she\u2019s a woman, it\u2019s probably added value, because we really wanted to focus this new period of bringing back the attention and the focus on women\u2019s ready-to-wear, which had been struggling a little for the company in the last few years. So it was a natural choice, but mainly because we recognized in Meryll an amazing creative talent.<\/p>\nVogue<\/em>: Meryll, I want the audience to hear about your first paycheck from your first big job in fashion. You bought something that maybe shows how this new job was kismet. Will you tell us what it was?<\/strong><\/p>\nMeryll:<\/strong> It\u2019s true. I started my career in 2008 at Marc Jacobs in New York, and with my very first paycheck, instead of paying the rent that was due, I went straight to a store uptown and bought a pair of Marni shoes that I\u2019d been eyeing for a few months. So that was my very first purchase ever with the very first paycheck.<\/p>\nVogue<\/em>: So, it seems like this job was meant to be, and I had that feeling too when I was in the Marni showroom with you a couple of days before your show. You had chosen key moments in Consuelo Castiglioni\u2019s early collections and people noted the connections you were making between Marni then and Marni now. Talking about the road forward, do you see the archives playing an important role permanently? How do you plan to use them?<\/strong><\/p>\nMeryll:<\/strong> What we\u2019re interested in doing is working from the spirit of Marni: what the brand means, what the values of the brand are, and how we can bring the brand forward in a new context, a new world, let\u2019s say. I think really what we will be focusing on is the value system, even more than the actual archive, even though the archive will always play a role.<\/p>\nVogue<\/em>: Stefano, can you talk about the Marni values?<\/strong><\/p>\nStefano:<\/strong> Two words: modern elegance. We believe a lot in having a point of view that stands a bit outside the lines. As a matter of fact, in our brand book, we have an essence phrase that is, \u201ccolor outside the lines,\u201d and I truly believe it represents perfectly what Marni is.<\/p>\n<\/div>\n
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